Thursday, April 10, 2014

Easter Cat on the NYT!


Bunny Swap

The trim size and unfussy white backgrounds of “Here Comes the Easter Cat” may appeal to adults as well as children. In her illustrations for previous books, like “Is It Big or Is It Little?,” Rueda’s style has often been bold and graphic. Here, she sketches and colors very delicately, paying particular attention to Cat’s changing moods.
The story’s main character is a marmalade cat who, strolling past a poster heralding the arrival of the Easter bunny, immediately decides he wants the job for himself. The trouble is, he doesn’t fit the profile: For one thing, his ears aren’t nearly long enough. Underwood uses a clever narrative technique to tell her light-as-air story. She addresses Cat directly, and Cat, apparently unable to speak, holds up signs and makes extravagant gestures and facial expressions in reply. Children too young to read the story can get the gist of Cat’s responses just by looking.The New York Times

Thursday, April 3, 2014

CAT animated!

8 Reasons Cat Should Be In Charge Of Easter

Why should the Easter Bunny get all the love? Here are a few reasons we believe Cat will do a much better job this year.posted on 
Cat has excellent communication skills.
8 Reasons Cat Should Be In Charge Of Easter

He is in touch with his emotions.

8 Reasons Cat Should Be In Charge Of Easter

Cat doesn’t hop. He ZOOMS!

8 Reasons Cat Should Be In Charge Of Easter

Cat is a very snappy dresser.

And he is exceptionally well-rested.

Cat has promised not to put hairballs in any Easter baskets.

8 Reasons Cat Should Be In Charge Of Easter

Most importantly, Cat is ambitious…

8 Reasons Cat Should Be In Charge Of Easter

…VERY ambitious.

8 Reasons Cat Should Be In Charge Of Easter


Buzzfeed

Sketches for a new book


Wednesday, March 19, 2014

Deborah interviews Claudia interviews Deborah

Deborah Underwood & Claudia Rueda Discuss “Here Comes the Easter Cat”

 | March 19, 2014
The Children’s Book Review | March 19, 2014
Here-Comes-The-Easter-Cat-By-Deborah-UnderwoodIt’s rare that an author and illustrator get to work closely together while creating a picture book—this makes it very fun to get a peek into a conversation between a picture book duo that have been paired together by an editor and live in two different countries. In the case of the adorable Here Comes the Easter Catbestselling author Deborah Underwood wanted to know how award-winning illustrator Claudia Rueda managed to capture both Cat’s crankiness and his sweetness; and Rueda wanted to know if her illustrations resemble Underwoods mental image of the character she created. It’s a delightful conversation!

Deborah Underwood Interviews Claudia Rueda!

DEBORAH:  First of all, I adore everything about your illustrations–I feel so lucky that we got to do this project together! I especially love that you managed to capture Cat’s crankiness but also his sweetness. Did you try out a lot of different versions of the character, or did this one come to you quickly? And I know you work with many kinds of media–how did you decide on colored pencil for Cat?
CLAUDIA: Thanks, Deborah. It’s been a privilege for me to have the chance to picture your words! I did try many different versions for Cat. Actually, I have a full sketchbook! I tried tall skinny cats, chubby cats, hairy cats, hundreds of cats. When I found the cat sketch that I liked I drew it in many different poses. It was important for me to learn how to draw the character without using any reference. I wanted the lines to look spontaneous and free in accordance to the spirit of the text. For the same reason I went for ink and colored pencil. It’s the media where I feel more at ease.
Cat sketch014
Preliminary sketches by Claudia Rueda copyright ©, 2014
Here Comes the Easter Cat, Preliminary sketches by Claudia Rueda copyright ©, 2014
Preliminary sketches by Claudia Rueda copyright ©, 2014
DEBORAH:  This project was a unique one, because as I was writing the book, I drew sketches too. Writers are always told NEVER to submit illustrations, but it seemed like the easiest way to get the idea of the book across. I imagine it must have been odd for you as an illustrator to get a manuscript with (very rough!) illustrations. What was it like for you to work in this way?
CLAUDIA: On the contrary: it was a pleasant surprise for me to find your sketches on the manuscript. I’m an extremely visual person, so I felt we were speaking the same language. Since Cat’s reply to the narrator’s voice is always a face expression or a drawing on a signpost (not words) it was fundamental to have the sketch. I think it made it much easier for me to translate your ideas into pictures.
Hear-Comes-the-Easter-Cat-Underwood-Sketch
Preliminary sketch by Deborah Underwood
Here Comes the Easter Cat Rueda illustration
“Here Comes the Easter Cat” illustration copyright ©, 2014, Claudia Rueda
DEBORAH:  It’s great that even though we live in different countries, we can do a book together! What’s the children’s writing world of Colombia like?
CLAUDIA: Yes! that’s one of the beautiful thing about globalization. I’m very lucky to publish my books in the US and in more than 15 countries and to see that children around the world can enjoy stories and pictures coming from a great variety of places. The Colombian children’s writing world has been growing a lot in the last decade. There are many local authors publishing and parents, schools and libraries are much more interested in picture books.

Claudia Rueda Interviews Deborah Underwood!

CLAUDIA: When I read THE EASTER CAT manuscript the first time I loved the fact that Cat talks to the narrator using a drawing on a signboard. How did you come out with such a great idea? What prompted you to use that particular way of telling the story?
DEBORAH: Thank you! A few weeks before I started writing, a friend mentioned a need for a certain type of Easter book, so Easter was in the back of my mind. Then one day I couldn’t figure out what to write, and my cat Bella was sprawled in front of me, so I drew a cat. The cat looked grumpy. I asked him what was wrong, and he held up a sign with the Easter Bunny on it. I asked “What about the the Easter Bunny?” and he held up another sign. It really felt like I was just having a conversation with him. I hadn’t planned in advance to tell the story that way; it just happened (a nice change from the way I sometimes struggle with writing!).
CLAUDIA: I understand you have a cat. Is your character inspired in your own cat’s personality? or in a particular anecdote?
Deborah Underwood with Bella
Deborah Underwood with Bella
DEBORAH: Having Bella in front of me definitely prompted the story. Bella is like Cat in some ways—she’s very sweet but has a grumpy side (it comes out if I’m away from home for too long, or if I try to move her off my stovetop so I can cook…). But she doesn’t scheme as much as Cat does. I hope.
CLAUDIA: I imagine that as a writer you build a mental image of your characters as you’re creating them. Was it in any way similar to the sketches of the Easter Cat I made?
DEBORAH: I know some writers do, but I don’t really tend to. Unlike you, I’m not very visual, so my idea of Cat was limited to the simple sketches I’d drawn. Although my drawings were rough, I tried hard to capture Cat’s expressions, since they were key. I was thrilled when I saw that you’d not only developed his expressions perfectly, but also created a Cat character who could be both grumpy and lovable—just like a kid.
Deborah-Underwoods-Grumpy Cat
Preliminary sketch by Deborah Underwood
Claudia Rueda's Grumpy Cat
“Here Comes the Easter Cat” illustration copyright ©, 2014, Claudia Rueda
About Deborah Underwood
Deborah Underwood
Deborah Underwood
Deborah Underwood’s books include Here Comes the Easter Cat; Bad Bye, Good Bye; A Balloon for Isabel;  Pirate Mom; and the New York Times bestsellers The Quiet Book and The Loud Book!  She co-wrote the Sugar Plum Ballerina chapter book series, and she has written over 25 nonfiction books on topics ranging from smallpox to ballroom dancing. Her magazine credits include National Geographic KidsLadybugSpider, and Highlights. Please visit her online at DeborahUnderwoodBooks.com.
About Claudia Reuda
Claudia Rueda
Claudia Rueda
Claudia Rueda’s picture books have been published in the United States, Spain and Mexico, and have been translated into more than ten different languages. After attending law school and art school in her native Colombia, Claudia moved to San Francisco, CA where she continued her art studies and began her career in picture book writing and illustration. She holds an MFA in Creative Writing from Lesley University in Cambridge MA and lives now in Bogota, Colombia. Her work has been selected twice for the NYC Society of Illustrators’ Original Art Show and one of her books received an Oppenheim Platinum Award, among others. Visit: ClaudiaRueda.com
About Here Comes the Easter Cat
Here-Comes-The-Easter-Cat-By-Deborah-UnderwoodA cat with flair to spare, an Easter Bunny with a job to do, and a hilarious break from sticky-sweet Easter fare for fans of Patrick McDonnell and thePigeon books by Mo Willems.
Why should the Easter Bunny get all the love? That’s what Cat would like to know. So he decides to take over: He dons his sparkly suit, jumps on his Harley, and roars off into the night. But it turns out delivering Easter eggs is hard work. And it doesn’t leave much time for naps (of which Cat has taken five–no, seven). So when a pooped-out Easter Bunny shows up, and with a treat for Cat, what will Cat do? His surprise solution will be stylish, smart, and even–yes–kind.
An homage to classic comic strips from the author of The Quiet Book and The Loud Book, this Easter treat has a bit of bite, a sweet center, and a satisfying finish—sure to inspire second helpings.
Add this book to your collection: Here Comes the Easter Cat, story by Deborah underwood and illustrations by Claudia Reuda.

Thursday, March 6, 2014

Ozu al chino

La leyenda vino de Asia, la publicamos en Mexico con el FCE hace diez años y ahora consiguió regresar a casa.

Monday, February 17, 2014

A PW star for Easter Cat


Underwood and Rueda deliver an Easter book with real personality in this story of a cat who’s got his eye on the Easter Bunny’s job. Underwood (The Quiet Book) structures the story as a conversation between Cat and a witty unseen narrator; Cat never speaks, but instead communicates his responses his facial expressions, body language, and the occasional placard. Rueda (Is It Big Or Is It Little?) does a marvelous job of capturing Cat’s rapidly changing emotions, from his pride at picking the perfect vehicle to deliver Easter gifts (a massive red motorcycle, naturally) to his horror at realizing that an Easter Cat’s busy schedule would mean no time for naps. It’s a highly appealing blend of slightly edgy humor and underlying sweetness, and the ending suggests that Santa better watch his back. Ages 3–5.